Porta-potty in short
A portable toilet (or porta-loo) is a modern, portable, self-contained outhouse manufactured of molded plastic in a variety of colors and are often used as a temporary toilet for construction sites and large social gatherings. Portable toilets are referred to colloquially or sold under such brands as port-a-john, port-o-let, sani-privy, port-a-san, porta-potty, toi-toi, shit-shack, porta-kybo or portaloo. Portaloo is a trade mark owned by Portakabin, Ltd. The Portaloo trade mark is sometimes used incorrectly. Portakabin Limited actively discourages all misuse of its Portaloo trade mark.
Portable toilets are large enough for a single occupant - usually about 90 cm (3 ft) on a side by 210 cm (7 ft). They are held upright by the weight of the deodorant liquid in the holding tank at the bottom but are usually secured to the ground to prevent high winds blowing them over. Nearly all include both a seated toilet and a urinal. Most include lockable doors, ventilation near the top, and a stovepipe vent for the holding tank. Leaving the toilet lid open will reverse the flow of the venting of the tank. Some newer models include toilet paper or, occasionally, antibacterial hand gel dispensers.
Though more expensive than a standard permanent outdoor latrine, portable toilets have several significant benefits mostly related to their portability. They are rented to customers by companies that guarantee their cleanliness, and so as a rule are drained, cleaned, disinfected and deodorized on a regular basis. As they are not plumbed, they do not clog or overflow. A single portable toilet can be hauled in the back of a pick-up truck. An average portable toilet is able to hold enough sewage for 10 people during the course of a 40 hour work week before the hold reaches unsanitary conditions.
They are frequently seen at outdoor work sites, particularly construction sites, and large banks of dozens of portable toilets allow for ready sanitation at large gatherings such as outdoor music festivals.
It has become common for portable toilets to be paired with hand sanitizer or a portable hand washing station. These stations provide a foot pump to dispense water to wash one’s hands after using the toilets. Soap and towels may be provided.
In the UK, the term “Porta-Potty” is more likely to refer to a portable chemical toilet used for camping and in small boats. This device comprises only the actual toilet itself with privacy being provided by a separate tent or partition.
The Portable Sanitation Association International is the recognized authority on the operation of portable toilets.
Wikipedia

Cell phone jammer
A cell phone jammer is an instrument used to prevent cellular phones from receiving and transmitting the mobile signals to a base station. When used, the jammer effectively disables cellular phones in the area. These devices can be used in practically any location, but are found primarily in locales where a phone call would be particularly disruptive. These include places of worship (churches, mosques, etc.), libraries, movie theaters, meeting rooms, and other places where silence is expected.
History
The rapid proliferation of cell phones in recent years to near ubiquitous status eventually raised problems such as their potential use to invade privacy, contribute to academic cheating, or even aid in corporate espionage. In addition public backlash was growing against the perceived disruption cell phones introduced in daily life. While older analog cell phones often suffered from chronically poor reception and could even be disconnected by simple interference such as high frequency noise, increasingly sophisticated digital phones have led to more elaborate counters. Cell phone jamming devices are an alternative to more expensive measures against cell phones, such as Faraday cages, which are mostly suitable as built in protection for structures. They were originally developed for law enforcement and the military to interrupt communications by criminals and terrorists. Some were also designed to foil the use of certain remotely detonated explosives. The civilian applications were apparent, so over time many companies originally contracted to design jammers for government use switched over to sell these devices to private entities. Since then, there as been a slow but steady increase in their purchase and use especially in major metropolitan areas.
Operation
Jammers block cell phone use by sending out radio waves along the same frequencies that cellular phones use. This causes enough interference with the communication of cell phones and the towers to render the phones unusable. On most retail phones, the network would simply appear out of range. Most cell phones use different bands to send and receive communications from towers. Thus jammers can work by either disrupting phone to tower frequencies or tower to phone frequencies. Smaller handheld models block all bands from 800MHz to 1900MHz within a 30 foot range. Small devices tend to use the former method, while larger more expensive models may interfere directly with the tower. The radius of cell phone jammers can range from a dozen feet for pocket models to kilometers for more dedicated units. The TRJ-89 jammer can block cellular communications for a 5-mile (8 km) radius.
Older jammers sometimes were limited to working on phones using only analog or older digital mobile phone standards. Newer models such as the double and triple band jammers can block all widely used systems (AMPS, iDEN, GSM, et al) and are even very effective against newer phones which hop to different frequencies and systems when interfered with. As the dominant network technology and frequencies used for mobile phones vary worldwide, some work only in specific regions such as Europe or North America.
The power of the jammer’s effect can vary widely based on factors such as proximity to towers, indoor and outdoor settings, presence of buildings and landscape, even temperature and humidity play a role.
There are concerns that crudely designed jammers may disrupt the functioning of medical devices such as pacemakers. However, like cell phones, most of the devices in common use operate at low enough power output (<1W) to avoid causing any problems.
From Wikipedia, the free encyclopedia

Now the Boss can say “Rollin On Floor L… Hmmm… Um… Shit.”

Office Chair Long Jump
Introduction
This is the event you’ve all been training for. Your chance to show off your chair sitting muscules, muscules you’ve been training since your first day at school. All you have to do is to sit down in an office chair and propell yourself forward.
The Concept
You know the long jump. You’ve seen it on TV while watching the (other) Olympics. The people run really fast down a long runway, propel themselves into the sky and land (hopefully) feet-first into a big sand pit. Well, this is the CSAIL Lab and we like to do things a bit differently here. There aren’t any sand pits in the building, but there are large flat open areas. We can’t jump very well, but we sure do get around on our office chairs. Hence, the CSAIL Lab version of the long jump is the Office Chair Long Jump.
Competitors will propel themselves down a runway using their feet or whatever other appendages or powers they possess. Before they get to the end of the runway, they will stop propelling themselves and coast to a stop. The distance of their “jump” will be their score.
The Rules
* Each competitor will be allowed two “jumps” with the longer distance counting for the final rankings.
* Each competitor must have his or her rear (both cheeks!) firmly planted in the seat of the chair during the “jump.” Not having both cheeks on the chair before crossing the line is a fault (see below). Locomotion may be provided in (more-or-less) any manner so long as this rule is observed.
* Distance is measured as the shortest distance from the line to the nearest part of the chair.
* Each competitor is allowed a single “fault.” Two faults ends a competitor’s turn with no further scores for that competitor being allowed. Faults include: touching the ground once the chair has passed the line, tipping over the chair on the runway, or hitting a wall on the runway.
* The chairs will be selected by the commissioner, and will hopefully be of the same five-legged variety we’ve used in the past few years.
* Helmets are optional.
* In the event of broken chairs, bad timing, reckless behavior, or natural disasters caused, the judgment of the commissioner will prevail.
Scoring
Each competitor will receive a score equal to the distance of his/her best “jump.” Each team will be given a score equal to the sum of all the scores received by team members. Upper and lower bounds will be placed on individual competitor scores in order to encourage participation (for example, 1 foot=10 points, 2247 feet=30 points). Hence, a team can rack up a large score simply by having many team members participate.

The Adam and Joe Show
The Adam and Joe Show was a British television comedy show, written and presented by Adam Buxton and Joe Cornish, which ran for four series on Channel 4 between 1996 and 2001.

The show took the form of short, condensed sketches interspersed with links filmed in what was purportedly Adam and Joe’s bedsit in Brixton, but was actually a shared “performance space” above a Body Shop in the town. Although the two comedians were involved in other projects before and after it was aired, The Adam and Joe Show is their most popular and well-known creation, and its unique brand of humour gained a cult following, especially among young twenty-somethings. The show is often described as one of the definitive pop culture parodies of recent times.

Source: Wikipedia

Do you remember goatse?

Goatse history in short Goatse.cx was an infamous Internet shock site that became well-known among various Internet forums because of trolls who posted links in order to upset other forum readers. Its front page featured a picture, hello.jpg, of a naked man stretching his anus open to a diameter roughly equal to the width of his hand, with the inside of his rectum clearly visible. Visible below his anus were his scrotum and dangling, flaccid, penis. As of January 14, 2004, the domain goatse.cx was taken offline. But many mirrors of the site are still available, and the image is displayed on many websites. The most common mirror was goat.cx; but this, like its predecessor, was taken offline as of February 22, 2005. As of February 27, the domain goat.cx, like goatse.cx, was suspended by the Christmas Island Internet Administration; but it appeared, as of April 2005, to be back online showing only the message “eat my goatse’d penis!” As of May 2005, there is an image on the site showing a pumpkin with some hands around it as if it is stretching its anus. The goatse.cx domain name was reported sold at an Auction on 30 April 2007 to an unknown bidder. According to seobidding.com, the first auction ended with fake bids so the auction was reactivated. This was again won by fake bidders, so Seobidding.com announced that the website would be sold for $500,000 and that legal action would be pursued against the fake bidders. Source: Wikipedia

Spider-Man 3 has 22 mistakes, and counting! And here they are:
The stickers on the board in J.J. office change from when Peter first goes in and when Eddie and Peter leave.
Flint Marco has his whole body turned into sand including his belt buckle and any other metal he happens to be wearing. If all of this turned into sand then why was the locket fine without it turning into sand as well?
During the “runaway crane” incident, Spider-Man comes to save the crane driver and stop the crane. Gwen is being knocked out of a building, he saves her and then swings off, never at all stopping the crane, or saving the driver.
When Peter meets Mary Jane backstage after her first performance, her hands continue to move on and off of Peter’s shoulders between shots.
When the sandman is in his house you see him breaking up the bread ready to eat, as he leaves through the window the bread is a whole loaf again.
When Aunt May comes to visit Peter at his apartment, she is easily able to open the door that has taken Pete’s strength to open from the outside every other time throughout the film.
During the fight scene with Sandman in the armor car, the Terminal Tower can be seen in the background, which is a landmark in Cleveland, Ohio (where the scene was shot), not in New York city.
When Spider-man is in the bell tower, removing the symbiote, it’s raining and dark outside. At the same time Eddie Brock is in the church down below and praying. You can see out of the front door of the church and it is bright and sunny outside. Similarly, every stained glass window is lit up. How can they be lit up if it is dark outside?
In the scene where Peter goes to tell his aunt he is going to marry MJ, she is serving him tea and goes to get milk out of the fridge. It happens fast, but if you watch, she actually pulls Tropicana Orange juice out, then the next shot, she is shown pouring milk for the tea, there is no orange juice on the table or any need for it in tea.
During the scene on the bridge where MJ breaks up with Peter, MJ’s hair is tied behind her head with a few wisps hanging down and her ears visible whenever she is shown from behind. However, whenever MJ is shown in her own close-up during the same conversation, her hair is down loosely and her ears are completely covered up.
When the police officer throws the tarp from the top of the sand truck, the entire tarp falls off. Yes, this had to work to sell the sequence, but there is no way someone could lift the entire tarp off of that long truck, especially at the angle and the force with with he drew the tarp. Look closely, you can tell that a wire connected to the middle of the tarp was used to lift it from the truck bed and was deleted digitally later.
When Venom is choking Spider-Man and the Sandman is punching him as a giant, Spider-Man’s mask is cut and under his eye that is exposed, there is so little mask that it is about to snap. Later in the same scene, there is a lot more mask there.
At the end of the movie MJ is holding onto Harry’s hand with both of her hands. There’s a quick cut back to a view from farther away. Peter and Harry are in the same positions, but one of MJ’s hands has instantly moved down around Harry’s chest.
In the scene where Gwen sees Peter in the restaurant she places one hand on his shoulder. The camera cuts to Gwen’s face and she has both hands clasped together in the shot. The shot cuts back out and her hand is instantly down on Peter’s shoulder. It cuts back to Gwen one more time and both of her hands are back up near her face.
When Flint Marco is walking downing the street just after turning into Sandman, two cops notice him and give chase. He runs behind a truck and disappears. When the cops get there, there are 5 or 6 people walking by. From their point of view they would of seen where he went, but no one seems dumbfounded or shocked that a man just turned to sand and slid into the back of a truck. The tarp on the truck was tied down on all sides, so he couldn’t have jumped in as a man.
During the battle among Venom, Sandman and Spider-Man, we see a news reporter with an English accent. She is narrating the fight, standing to the immediate right of her cameraman, who is pointing his camera skyward, at the fight. The reporter begins voicing her concern over the outcome. There is a cut to a TV showing the news report, where we see her finish her thought. Except we see a head-shot of her, and not the shot of the battle we should be seeing, considering the positioning of the camera.
When Peter goes to Harry’s house to fight him, between shots, Peter’s hair moves from over his eyes to the side.
The first time Peter is out and about as black Spidey, Eddie Brock runs up behind him and raises his camera. We then cut instantly to a shot of just Eddie, and he no longer has his camera raised, with no time to move it between shots.
When the sand man is in the truck of sand and the cop climbs up to catch him, you can see the edge of a platform uncovered. The platform is clearly there so the cop could walk without sinking - he stops right where the platform ends.
There are several scenes in the film where Peter’s ‘Spider-Man’ costume can be seen sticking out from the top of his shirt, both the ‘normal’ red/blue version and the black symbiote version. The spider chest-emblem is visible in each of these scenes, but the emblem is smaller and much farther up the front of the costume, almost near his neck. Invariably, whenever he switches into full ‘Spider-Man’ costume, the emblem has reverted to its original much-larger size and is much farther down the front of his chest, level with his pecs.
In the scene where Harry is lying in the hospital bed, his shirt is open enough that you can see his nipple. There is a cut to Peter who speaks, and when the camera goes back to Harry, his nipple is covered up.
When Peter’s looking at himself in the mirror in his apartment after yelling at the landlord, his hair’s down in the first shot we see of him, but swept to one side when we see the reflection.
[Via MovieMistakes]